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Far From Vietnam

Far From Vietnam

Far From Vietnam

New restoration!

A film by Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch, Chris Marker, and Alain Resnais

Filmforum brings this classic collaboration to Los Angeles.  Featuring almost every approach possible to agitprop filmmaking, Marker and company created a protest film unlike any other to that point.  Last year we brought you Far from Afghanistan, the recent film inspired by this – now see the original!

For more event information: www.lafilmforum.org, or 323-377-7238

Introduced by Thom Andersen!

Tickets: $10 general, $6 students/seniors; free for Filmforum members.  Available by credit card in advance from Brown Paper Tickets at http://www.brownpapertickets.com/event/542617 or at the door.

Official Selection, Cannes Film Festival 1967

Official Selection, New York Film Festival 1967

"An important film, a beautiful film, a moving film...the cinema at last has its 'Guernica.'" —Richard Roud, The Guardian

"A stone-cold classic." —Michael Vazquez, The Huffington Post

"A landmark in the European cinema...A new kind of film-not an anthology-piece in which each director contributes a sketch, but a real fusion of each individual's material into a collective statement." —Michael Kustow, The Times of London

"Rich with humanity and indignation...this is a film nobody should miss. It mirrors both the horror and the hope of our times." —Sanity magazine

"Manifests the will to produce a film that cuts through the sensationalized media reports on Vietnam--the misinformation--while simultaneously joining the growing protest against the war." —Nora M. Alter, Chris Marker (book)

Thom Andersen has lived in Los Angeles for most of his life. In the 1960s, he made short films, including Melting (1965), Olivia’s Place (1966), and --- ------- (1967, with Malcolm Brodwick). In 1974 he completed Eadweard Muybridge, Zoopraxographer, an hour-long documentation of Muybridge’s photographic work. In 1995, with Noël Burch, he completed Red Hollywood, a videotape about the filmwork created by the victims of the Hollywood Blacklist. Their work on the history of the Blacklist also produced a book, Les Communistes de Hollywood: Autre chose que des martyrs, published in 1994. In 2003 he completed Los Angeles Plays Itself, a videotape about the representation of Los Angeles in movies. It won the National Film Board of Canada Award for Best Documentary Feature at the 2003 Vancouver International Film Festival, and it was voted best documentary of 2004 in the Village Voice Film Critics’ Poll. He has taught film composition at the California Institute of the Arts since 1987.

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FFV image2

Far From Vietnam

Far From Vietnam

1967, color, sound, 115 minutes

New restoration!  Distributed by Icarus Films

Initiated and edited by Chris Marker, FAR FROM VIETNAM is an epic 1967 collaboration between cinema greats Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch and Alain Resnais in protest of American military involvement in Vietnam--made, per Marker's narration, "to affirm, by the exercise of their craft, their solidarity with the Vietnamese people in struggle against aggression."

A truly collaborative effort, the film brings together an array of stylistically disparate contributions, none individually credited, under a unified editorial vision. The elements span documentary footage shot in North and South Vietnam and at anti-war demonstrations in the United States; a fictional vignette and a monologue that dramatize the self-interrogation of European intellectuals; interviews with Fidel Castro and Anne Morrison, widow of Norman Morrison, the Quaker pacifist who burned himself alive in front of the Pentagon in 1965; an historical overview of the conflict; reflections from French journalist Michèle Ray; and a range of repurposed media material.

Passionately critical and self-critical, and as bold in form as it is in rhetoric, FAR FROM VIETNAM is a milestone in political documentary and in the French cinema.