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      <title>Raymond Rohauer, 1950’s exhibitor and distributor.  Photo courtesy of Tim Lanza.
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-top: 0pt; &quot; class=&quot;paragraph_style_1&quot;&gt;Raymond Rohauer, 1950’s exhibitor and distributor.  Photo courtesy of Tim Lanza.&lt;br/&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
    </item>
    <item>
      <title>Kitsch in Synch (1975) by Adam Beckett.  Image courtesy of the iotaCenter and the Academy Film Archive</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#1</link>
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-bottom: 0pt; padding-top: 0pt; &quot; class=&quot;Caption&quot;&gt;Kitsch in Synch (1975) by Adam Beckett.  Image courtesy of the iotaCenter and the Academy Film Archive&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
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      <title>A 1977 edition of New Magazine (a publication of Beyond Baroque Foundation) featuring many of the luminaries in the LA experimental film scene in the 1970's.   The cover photo features Jules Engel, Pat O'Neill, Amy Halpern, Gary Beydler, Chick Strand, David WIlson, Roberta Friedman, Morgan Fisher, and Beverly O'Neill.</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#2</link>
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-bottom: 0pt; padding-top: 0pt; &quot; class=&quot;Caption&quot;&gt;A 1977 edition of New Magazine (a publication of Beyond Baroque Foundation) featuring many of the luminaries in the LA experimental film scene in the 1970's.   The cover photo features Jules Engel, Pat O'Neill, Amy Halpern, Gary Beydler, Chick Strand, David WIlson, Roberta Friedman, Morgan Fisher, and Beverly O'Neill.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
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    <item>
      <title>Angel CIty (1977) by Jon Jost.  Image courtesy of the artist. 
“Angel City probes the Byzantine surfaces of Los Angeles.  Masked in detective-genre clothing, it self-destructs customary narrative forms to eat into the heart of Hollywood.  Capitalist motivations of money, spilt blood, the diversions of fiction, the falsifications of mass media unspool into tragicomic form skittering between Dragnet and Godraub.” -- Jon Jost, from Pasadena Filmforum program notes, May 19, 1980</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#3</link>
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-top: 0pt; &quot; class=&quot;Caption&quot;&gt;Angel CIty (1977) by Jon Jost.  Image courtesy of the artist. &lt;br/&gt;&lt;/p&gt;&lt;p style=&quot;padding-bottom: 0pt; &quot; class=&quot;Caption&quot;&gt;“Angel City probes the Byzantine surfaces of Los Angeles.  Masked in detective-genre clothing, it self-destructs customary narrative forms to eat into the heart of Hollywood.  Capitalist motivations of money, spilt blood, the diversions of fiction, the falsifications of mass media unspool into tragicomic form skittering between Dragnet and Godraub.” -- Jon Jost, from Pasadena Filmforum program notes, May 19, 1980&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
    </item>
    <item>
      <title>3rd LA Film-makers festival Poster by Wallace Berman</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#4</link>
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    </item>
    <item>
      <title>John Whitney with his ‘cam machine.’  
Courtesy of The Estate of John and James Whitney
Still image provided by the iotaCenter</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#5</link>
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-top: 0pt; &quot; class=&quot;paragraph_style_2&quot;&gt;John Whitney with his ‘cam machine.’  &lt;br/&gt;&lt;/p&gt;&lt;p class=&quot;paragraph_style_2&quot;&gt;Courtesy of The Estate of John and James Whitney&lt;br/&gt;&lt;/p&gt;&lt;p style=&quot;padding-bottom: 0pt; &quot; class=&quot;paragraph_style_2&quot;&gt;Still image provided by the iotaCenter&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
    </item>
    <item>
      <title>Still from the Single Wing Turquoise Bird Light Show, Photograph by Andy Romanoff</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#6</link>
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-bottom: 0pt; padding-top: 0pt; &quot; class=&quot;Caption&quot;&gt;Still from the Single Wing Turquoise Bird Light Show, Photograph by Andy Romanoff&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
    </item>
    <item>
      <title>Single WIng Turquoise Bird performance still from the 1970s.  
Image courtesy of Peter Mays.</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#7</link>
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-top: 0pt; &quot; class=&quot;Caption&quot;&gt;Single WIng Turquoise Bird performance still from the 1970s.  &lt;br/&gt;&lt;/p&gt;&lt;p style=&quot;padding-bottom: 0pt; &quot; class=&quot;Caption&quot;&gt;Image courtesy of Peter Mays.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
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    <item>
      <title>Still from ‘Hito Hata’ (1980) by Robert Nakamura.  
Image courtesy of Visual Communications.</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#8</link>
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-top: 0pt; &quot; class=&quot;Caption&quot;&gt;Still from ‘Hito Hata’ (1980) by Robert Nakamura.  &lt;br/&gt;&lt;/p&gt;&lt;p style=&quot;padding-bottom: 0pt; &quot; class=&quot;Caption&quot;&gt;Image courtesy of Visual Communications.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
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    <item>
      <title>Still from ‘Sidewinders Delta (1976) by Pat O’Neill
Image courtesy of Pat O’Neill</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#9</link>
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      <iweb:richTitle>&lt;div style=&quot;padding: 0px; &quot; class=&quot;image_cluster_layout_style_default_External_0_0&quot;&gt;&lt;div class=&quot;image_cluster_layout_style_default&quot;&gt;&lt;p style=&quot;padding-top: 0pt; &quot; class=&quot;Caption&quot;&gt;Still from ‘Sidewinders Delta (1976) by Pat O’Neill&lt;br/&gt;&lt;/p&gt;&lt;p style=&quot;padding-bottom: 0pt; &quot; class=&quot;Caption&quot;&gt;Image courtesy of Pat O’Neill&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</iweb:richTitle>
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      <title>Pasadena Filmforum’s first printed calendar, first quarter of 1976</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#10</link>
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    </item>
    <item>
      <title>Filmforum Program Notes, May 19, 1980</title>
      <link>http://www.lafilmforum.org/index/Symposium.html#11</link>
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